Doog’s love for an Edinburgh single grain knows no bounds, especially when he can follow a story and reconnect with an old pal. Unkiltered’s 34yo North British in the glass.

In recent months Hamish has taken a step back from whisky and is viewing things from a little further back. As he returns to a 33yo bargain-banger from the Thompson Brothers, has he missed it?

Over the years, Earie has taught himself what he likes and likes less. But with a dearth of Signatory Vintage’s 100º Proof Series in Belgium, he picks up a North British 15yo grain, and learns a lesson.

Dougie recalls a weekend trip to Auld Reekie and reviews a whisky from there too. One which gathered viral attention from whisky folk & chocolate makers too, unfortunately - Master of Malt’s Dalry Milk.

Cadenhead’s Original Collection and the Enigma Blends are perhaps the most likely of their releases to be found in the wider marketplace. Ainsley dives in to an entire outturn.

A man struck by strong branding and potent design, Dougie spots something that isn’t whisky - as he knows it. But it is £32.50, so he fires in to explore Port of Leith’s ‘Table Whisky’.

Ogilvie has been starved of whisky choice recently, but a positive effect of this is a more curious mind. Which led hime to pick up a 14yo Invergordon official bottling. We’re intrigued!

Some things turn out better than we expect, as Ainsley discovers with the recent Olympics. So, after smuggling some back from a trip, how about this rum finished Cù Bòcan?

Ramsay and Fergus buddy up for a wander through the most recent outturn from Watt Whisky. Exploring a grain, a blend, two malts and a Guyana rum, they actually find some consensus!

Pragmatism and reflection are the themes as Ainsley happens upon a bargain ghost at auction. Shy at first, he eventually locks this beauty away for as long as possible. Special people only.

How might we view this mature yet affordable whisky in the future? Wally decides it needs to be celebrated now - before it’s gone and relegated to a nostalgic recollection of what once was possible.

Wally tackles what he believes to be the most appealing and interesting inaugural release since Daftmill. But there’s a problem, and you already know what it is. Shame, ‘cause this reads like a cracker.